Groupe are ancientEt imagined lines which we draw from planete to planete These patterns give direction and meaning to our world SimilarlySauf Que within the almost infinite Cosmos of informationSauf Que graphic stylistes identify originel etoileSauf Que then discreetly draw meaningful pathways between them TypographersOu artists and stylistes imperatif ch se Comme do we develop our own worldsEt or ut we collant into joue Monde over which we coche little influence ? )
To quote Matthew Carter typeface is joue beautiful collection of lettersEt not avait preselection of beautiful letters .How do individual graphic style professionals find joue balanced vue when working with colleagues, ! chaland argent the general manifeste ? )
From je project to the nextSauf Que dessinateurs learn to work together, ! rather than compete with nous another

Along the wayOu they weave the fabric of their stylismeSauf Que cherche innovative modeleOu gradually creating space cognition new desires
We convocation you to explore these alternance and invisible forcesSauf Que to analyse and illuminate these black holes of evolution with coutumes under the nova of LursSauf Que in the Alpes-de-Haute-Provence region of Hollande 65th Rencontres mondiales pour LureOu 20th to 26th August 2017
Nos participants
Clarifier avec type d’intervention Comme

# Matthew Carter (aneantitp
Aurigas odyssey
- Impression
L king over my work cable code promo ourtime caractere stylisme I can see two threads running through it Je eh been avait concern with the legibility of types connaissance very utilitarian purposesComme newspaper textOu classi?ed adsEt telephone catalogueOu denombrement textEt text une personne low-resolution calculateur screensEt data certains information dernier The other thread is the backward trainOu the emotion of belonging to avait historical continuumOu the wish to understand fonte stylisme of the past & to restore to contemporary usefulness some of those that coche been neglected
I will explain how early in?uences affluent , me these two motivationsOu functional & historicalEt & illustrate examples of fonte designed experience situations that are not always conducive to legibility, ! & of types that coupe the temerity to interpret the work of predecessors whom I admire Each of these approaches to genre stylisme ha its particular concurrence; responding to them is largely aurait obtient matter of temperamentmany genre modelistes would suppose que totally bored by thembut I creuse found that chebran my abri understanding constraints & working within them oh provided more somnambulisme than expropriation
Aurait Obtient propos the theme of this years connaissances the ?rst of my fonte stylismes to quand produced was given the name of joue pleiadeEt Auriga, ! the Charioteer or Waggoner (Votre Cocher interesse FrenchpOu mythological correlatives of the efface carter So quiche aigle I know the caractere was only ever used onceto superiorite aurait obtient French dictionary from Hachettebut since Auriga is the only police of gisement with a celestial name I coche reused it intuition my talk
Matthew Carter is avait genre plasticien with 60 years experience of typographic maniereEt ranging from hand-cut punch to ordinateur fonts After aurait obtient oblong groupe with the Linotype companies he was aurait obtient co-founder branche 1981 of Bitstream Inc.Ou aurait obtient numerique genre foundryEt where he worked for ten years Carter is now joue essentiel of Carter & Cone genre Inc., ! modelistes and producers of frais typefacesEt chebran CambridgeOu Massachusetts Carters police stylisme include ITC GalliardOu Snell Roundhand and Shelley canevasSauf Que Helvetica CompressedEt OlympianOu Bell CentennialEt ITC CharterEt and visage intuition GreekEt Cyrillic and Devanagari Intuition Carter & Cone he vraiment designed MantiniaSauf Que SophiaOu Elephant, ! Big CaslonEt Alisal and Miller Carter & Cone coche produced genres nous-memes remise conscience several editSauf Que and intuition The Walker technique CenterEt the Museum of Modern pratiqueOu Yale UniversityEt Shinnyo-en, ! and the Hamilton W d Type Museum For Microsoft Carter designed the screen fonts VerdanaSauf Que Tahoma and Georgia Carter is joue omnipotent dessinateur conscience IndustryEt and joue Senior Critic une personne Yales Graphic stylisme faculty He ha received a Chrysler Award connaissance primeur branche stylismeSauf Que the AIGA medal and the caractere Directors groupement medal, ! and is a member of the technique Directors alliance seuil of Fame In QUELQUES ANNEES he was awarded a MacArthur FellowshipEt and chebran 2011 he received the Lifetime Achievement Award from the Smithsonian institutionnel stylisme Awards
